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Collaboration is the key to success.

Eithne is composed of its founder, Ruxandra Lupu and several collaborators specialising in various fields: Adriana Postovaru (project management, entrepreneurship and innovation), Alfredo Martines (audio-visual media) and Mariana Lupu (project management, administration)

Ruxandra Lupu - Printmaker/Digital Humanities Researcher

Ruxandra (11).jpg

“We have to make our own tools if we are to bring the house down”.(Sarah Ahmet)

As a traditional printmaker and digital humanities researcher my educational and career path has not been a conventional one. Having studied business administration at the University of Economic Studies in Bucharest, I decided to complement my education through a higher education degree in graphic arts and printmaking in Italy, before starting my practice-led PhD at the University of Leeds in 2016. This path enabled me to work at the intersection of academia and industry, as proven by my track record of major collaborations on EU-funded projects (Oct. 2015-Oct. 2016) and the 4 independent smaller-scale projects that I ran between 2019 and 2020. This activity in particular testifies to my ability to think and act independently and to the strong project management skills that I acquired. As a proposal writer I have been working under very tight deadlines and managing consortium teams of more than 10 partners, which has developed my cross-cultural communication skills and the capacity to manage simultaneously multiple deadlines. 

I am a professional printmaker with in-depth knowledge of pattern design and textile printing acquired at the Academy of Fine Arts in Catania and through several professional courses at the Leeds College of Arts (e.g. sustainable dying and printing methods). Through my creative and independent research activity, I intend to develop innovative initiatives that push the boundaries of traditional fashion and printmaking. In fact, the four very competitive grants that I received from institutions such as the EU-funded programmes, British Council and Norddisk Kulturfond, are a recognition of the high level of excellency and innovation of my projects. 

An important aspect of my work concerns the capacity to build bridges between what is seen as more traditional research and the cultural and creative industries. In first place my practice-led PhD project deploys action research principles and co-creative practice as frames for developing novel methods at the intersection of arts, technology and sensorial experience that are able to bring academia and the cultural and creative industries closer. Secondly, I use co-creation as a method of generating synergies between research and industry. I have applied this participatory approach both in my PhD project where I developed two co-creative workshops (Italy, UK) and in the small-scale projects that I am\have been running (Wear-Abouts: workshop at Helsinki Children’s Design Week, Print out of Print: co-creative workshops with printmakers and makers, WeAr Design: forthcoming co-creation workshops for fashion designers). As experimental activities, participatory workshops enable me to apply visual theory and philosophical concepts to tackle important aspects (sustainability, circular economy, social design) in a novel and innovative way. My professional background and activities stand as a testimony to a promising interdisciplinary career in artistic research, innovation consultancy and project management.  

Education 

2016-2020

practice-led PhD - University of Leeds

2010 - 2015

Bachelor and Master in Fine Arts - Academy of Fine Arts in Catania (Italy)

Awards 

2018-2019

13/07/2018 – 11/02/2019 Field trip in Sicily

PGR Fieldwork and Research Award for field trip in Sicily (1000£), University of Leeds 

2012-2013

Erasmus student

Universidad Politecnico de Valencia, Valencia, Spain

Memberships

2019

2020

Member of the Italian Association of Public History

Member of the Nordic Hub for Digital humanities

Contact Me

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